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Weaving a Chronicle

机译:编织纪事

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摘要

Judith Poxson Fawkes was a prolific, talented artist whose work has been widely exhibited since the 1960s, and whose medium was weave. Her work is in numerous public and private collections, and includes over 50 commissioned tapestries. In Weaving a Chronicle, Judith takes us on a chronological journey through the elaborate tapestries produced in her long career, describing the circumstances and sometimes the techniques behind each piece. Her work has been inspired by the grid of the loom, Bauhaus, Renaissance tapestries, Italian gardens, and light and water, as well as the weather in Portland, Oregon, where she lived and worked. Described as tapestries and designed for display on a wall, these handwoven works were produced on a shaft loom using techniques that included double and triple weave, inlay and pattern weaving. Judith's loom features in tapestries throughout her working life, appearing early on in her Shadows series and 25 years later in Summer Solace.
机译:Judith Poxson Fawkes是一个多产,才华横溢的艺术家,其工作自20世纪60年代以来一直被广泛展现,媒体是编织的。 她的工作是许多公共和私人收藏品,包括50多个委托挂毯。 在编织纪事中,朱迪思将我们通过长期职业生涯中生产的精心制作的辫子来调整时间,描述这种情况,有时是每件作品背后的技术。 她的工作受到了织机,鲍阿斯,文艺复兴时期挂毯,意大利花园和光水的栅格的启发,以及俄勒冈州波特兰的天气,她生活和工作。 描述为挂毯并设计用于墙壁上的显示,这些手工作品在轴织机上产生了使用包括双编织,镶嵌和图案编织的技术。 朱迪思在她的工作生活中的挂毯中的织布织机功能,在她的阴影系列和25年后出现在夏季安慰的早期。

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