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Staging the 'authenticity' of intangible heritage from the production perspective: the case of craftsmanship museum cluster in Hangzhou, China

机译:从生产角度看待非物质遗产的“真实性”:以中国杭州手工艺博物馆群为例

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This paper examines how the authenticity of intangible craftsmanship heritage is planned and staged in the cultural museum context. Based on a case study of the Craftsmanship Museum Cluster in Hangzhou, China, this paper discusses and analyses how tourism serves as a catalyst at the museums to showcase the authenticity of craftsmanship heritage and provide tourists authentic experience, through combing the tangible and intangible forms (e.g. object display, modern exhibition technology, simulated environment, and living process of craftsmanship showcase). The local governmental organisations, museum planners, curators, and crafts masters co-produce the authenticity of craftsmanship heritage through full negotiation, compromise, and creation. This paper also highlights the changing nature of intangible heritage and the role of museums in contemporary tourism.
机译:本文探讨了如何在文化博物馆的背景下计划和举办非物质手工艺遗产的真实性。本文基于对中国杭州手工艺博物馆群的案例研究,讨论并分析了旅游业如何在博物馆中起到催化剂的作用,通过结合有形和无形的形式展示手工艺遗产的真实性并为游客提供真实的体验(例如物件展示,现代展览技术,模拟环境和工艺展示的生活过程)。当地政府组织,博物馆策划者,策展人和手工艺大师通过充分的谈判,妥协和创造,共同制作出手工艺遗产的真实性。本文还重点介绍了非物质遗产的不断变化的性质以及博物馆在当代旅游业中的作用。

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