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Performance History and Beethoven's String Quartets: Setting the Record Crooked

机译:演奏史和贝多芬弦乐四重奏:创造了歪曲的记录

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A discographical study of Beethoven's string quartets gives rise to numerous counter examples to the normalizing trends that scholars of recording history have emphasized in the past. Innovation and variability of interpretation are central to the practice of performing these works in the recording age. Recordings of Beethoven's early, middle, and late quartets offer qualitative and quantitative evidence that spans an eighty-year history. Perhaps surprisingly, homogeneity and restraint are often found in historically informed Beethoven performance. In general, though, the various “voices” of mainstream string quartets have increasingly opened, rather than closed, these works' hermeneutic windows.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/01411896.2010.515376
机译:对贝多芬弦乐四重奏的唱片学研究为记录历史的学者们过去强调的标准化趋势提供了许多反例。解释的创新性和可变性对于在录音时​​代进行这些作品的实践至关重要。贝多芬早期,中期和后期四重奏的录音提供了跨越八十年历史的定性和定量证据。也许令人惊讶的是,在历史悠久的贝多芬演奏中经常发现同质性和约束性。不过,总的来说,主流弦乐四重奏的各种“声音”已经越来越多地打开而不是关闭了,这些作品的诠释窗口。查看全文下载全文::“ citeulike,netvibes,twitter,technorati,美味,linkedin,facebook,stumbleupon,digg,google,更多”,pubid:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/01411896.2010.515376

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