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Havana Beyond the Ruins: Cultural Mappings after 1989

机译:哈瓦那超越废墟:1989年之后的文化地图

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A great deal of cultural studies research has looked at the Cuba of the post-1990 crisis years - usually focusing on notions of dystopia, collapse, disillusion, social fragmentation and so on - and, within that focus, has tended to concentrate on Havana, as the two editors observe at the start of this collection. However, little has actually been written exclusively about the city during that period. Instead, historians have often set contemporary Havana in a historical context of chaotic but luxuriant evolution but left out of their depiction any analysis of the city as it is currently, rather than as it was. Yet the fascination of cultural studies, and indeed of Cuban authors, with the dilapidated city that Havana seems to have become has created an orthodoxy that sees the 'city in ruins' as a metaphor for 'the revolution in ruins' after 1990. Indeed, that has also been the theme picked up by a flood of media visitors, certainly driven by the travel industry's enticement to 'see Cuba before it changes'.
机译:大量的文化研究都研究了1990年后危机年代的古巴-通常集中在反乌托邦,崩溃,幻灭,社会分裂等概念上,并且在此范围内倾向于集中在哈瓦那,正如两位编辑在本系列开始时所观察到的那样。但是,在此期间,实际上几乎没有关于该城市的文章。取而代之的是,历史学家经常将当代哈瓦那置于混乱但繁华的历史背景下,但对当前城市(而不是现状)的任何分析都被排除在描述之外。然而,文化研究的迷恋,甚至古巴作家的迷恋,都使这座哈瓦那似乎已经变成了破败的城市而产生了一种正统观念,这种正统观念把“废墟中的城市”看作是1990年后“废墟中的革命”的隐喻。的确,这也被大量的媒体访问者所接受,这当然是由于旅游业对“在改变之前看到古巴”的诱惑。

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