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An influential collector

机译:有影响力的收藏家

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摘要

Tsar Nicholas I of Russia (1796–1855) was one of the European sovereigns most firmly committed to guaranteeing the principle of monarchy following the Congress of Vienna. The importance of his political role has, however, overshadowed his role as a collector, patron and promoter of the arts. This article analyzes his artistic education, his tastes and aesthetic orientation and the works he bought for his personal art collection and for the ‘New Hermitage’ museum, which he inaugurated in 1852. By observing various instances in which he influenced the Russian artists of the time and the formation of the Museum's collections, the author shows how the Tsar promoted not only monarchic principles, but also precise monarchic taste and artistic criteria.
机译:俄罗斯的沙皇尼古拉斯一世(1796–1855年)是在维也纳会议后最坚定地致力于保证君主制原则的欧洲主权国家之一。然而,他的政治角色的重要性使他作为艺术的收藏家,赞助人和推动者的角色黯然失色。本文分析了他的艺术教育,品味和审美取向,以及他为个人艺术收藏和1852年成立的“新冬宫”博物馆购买的作品。通过观察各种实例,他影响了俄罗斯画家的作品。时间和博物馆藏品的形成,作者展示了沙皇不仅提倡君主制原则,而且还提倡精确的君主品位和艺术水准。

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