首页> 外文期刊>The Journal of Hindu Studies >Kerala's Mahābhārata on Stage: Texts and Performative Practices in Kūṭiyāṭṭam Drama
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Kerala's Mahābhārata on Stage: Texts and Performative Practices in Kūṭiyāṭṭam Drama

机译:喀拉拉邦的《摩:婆罗多》在舞台上:库伊亚雅ṭṭ戏剧的文本和表演实践

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This article concerns the performance of Kūṭiyāṭṭam enactments of Mahābhārata narratives and the written texts on which those performances are based. The Kūṭiyāṭṭam tradition of Sanskrit drama enactment in Kerala has been recognised by UNESCO as a ‘masterpiece of the oral and intangible heritage of humanity’ but is also profoundly concerned with written texts. I␣argue that the ways Kūṭiyāṭṭam performers have modified and elaborated upon the dramas' texts have resulted in enactments more devotionally oriented than are the texts themselves, and that this distinctively devotional performative practice has contributed to the tradition's longevity. I also argue that performances in secular settings in recent decades represent both an opportunity and a danger to the tradition.
机译:本文涉及对《摩Mah婆罗多》叙事的库埃亚扬姆成文法的表演以及这些表演所依据的书面文本。喀拉拉邦的Kūyiyāṭṭam梵语戏剧表演传统被联合国教科文组织公认为是“人类口头和非物质遗产的杰作”,但也深深地关注书面文字。我认为,库亚雅玛(Kūṭiyāṭṭam)表演者对戏剧文本进行修改和阐述的方式所产生的演义比文本本身更具奉献精神,并且这种独特的奉献性表演实践有助于传统的长寿。我还认为,近几十年来在世俗场合中的表演既是传统的机遇,也是危险。

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