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Peasants on display: The Czechoslavic Ethnographic Exhibition of 1895

机译:展出的农民:1895年的捷克斯拉夫民族志展览

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摘要

In the increasingly modernized Central Europe of the late nineteenth century, folk culture, with its alleged ancient character, was still understood by some scholars as the bearer of national identity. The Czechoslavic [sic] Ethnographic Exhibition, which took place in Prague in 1895, aimed to promote the idea of the ethnically unified, but at the same time regionally diverse, identity of the Czech-speaking people living in Bohemia, Moravia and Slovakia. Having to negotiate their identity with the ethnic Germans of Bohemia, the Czechs consciously excluded them from the event both as organizers and as exhibitors. The exhibition could therefore be seen as a symptom of its time—in the late nineteenth century Central Europe, locating national heritage was crucial and folk culture played an important role in the national politics, and not only for the Czechs. This article focuses mainly on the ethnographic exhibit entitled 'the Exhibition Village', which consisted of an eclectic selection of village houses and their imitations from Bohemia, Moravia and Slovakia. On this basis, it explores the political intentions behind the display of folk culture to both urban and rural audiences and brings attention to the question of integration of the diverse regional objects in a Utopian national whole. The article thus also aims to demonstrate issues related to the use of folk artefacts for the purposes of cultural nationalism in Austria-Hungary in the late nineteenth century.
机译:在19世纪末期日益现代化的中欧,民间文化及其所谓的古老特征仍被一些学者理解为民族身份的承载者。 1895年在布拉格举行的捷克斯拉夫民族志展览会旨在推广居住在波西米亚,摩拉维亚和斯洛伐克的捷克语族群的统一思想,但同时又具有地域多样性。捷克人必须与波西米亚的德国人协商他们的身份,因此有意识地将他们作为组织者和参展者排除在活动之外。因此,该展览可以看作是其时代的一种征兆-在19世纪中欧,寻找国家遗产至关重要,民间文化不仅在捷克人中,在国家政治中也发挥着重要作用。本文主要侧重于民族志展览,名为“展览村”,其中包括折衷主义的村舍选择及其对波西米亚,摩拉维亚和斯洛伐克的模仿。在此基础上,它探索了向城乡观众展示民间文化背后的政治意图,并提请注意将乌托邦民族整体中的不同区域对象整合在一起的问题。因此,本文还旨在说明与民间手工艺品在19世纪后期在奥地利-匈牙利的文化民族主义的使用有关的问题。

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