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Otto Prutscher: Allgestalter der Wiener Moderne(Universal Designer of Viennese Modernism)

机译:Otto Putscher:Vienna现代主义(Viennese现代主义的通用设计师)

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摘要

Published on the 70th anniversary of the death of Viennese modern designer and architect Otto Prutscher (1880-1949), this exhibition catalogue is a useful companion to previous publications about the designer's life and work.In both English and German, this publication will be accessible to a wider audience than the most recent catalogue from 1997, which appeared primarily in German with select chapters translated into English. The present volume therefore takes the important opportunity to revisit the life and career of Prutscher, introducing him to a new body of readers. The introduction by MAK director Christoph Thun-Hohenstein puts Prutscher in league with better-known contemporaries Josef Hoffmann and Koloman Moser, the 'Universalkiinstler' (universal artist) who was recently the subject of a MAK exhibition in 2018.The choice of 'Allgestalter' (all-around or universal designer) to describe Prutscher calls to mind a sense of function and well-rounded ease, if not the grand omnipresence of the uni-versal artist of the Gesamtkunstwerk (although he was a noted proponent and practitioner of the concept).
机译:在Viennese Modern Designer和Architect Otto Prutscher(1880-1949)的死亡70周年上发表,这展览目录是上一篇关于设计师的生活和工作的有用伴侣。英语和德语,本出版物将可访问从1997年的最新目录更广泛的受众,主要以德语出现,选择章节翻译成英文。因此,目前的卷是重新审视Prutscher的生命和职业的重要机会,向他介绍给读者的新尸体。 MED Director介绍Christoph Thun-Hohenstein将Prutscher与更新的同时代人Josef Hoffmann和Koloman Moser,“普遍艺术家”,最近是2018年麦克展的主题。“艾伯斯特”的选择(全面或通用设计师)描述Prutscher呼吁介意功能感,圆满圆满的放松,如果不是Gesamtkunstwerk的Uni-Versal艺术家的宏伟全能(虽然他是一个指出的支持者和概念的从业者)。

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