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Hearing in the Mind's Ear: A PET Investigation of Musical Imagery and Perception

机译:耳中聆听:PET对音乐意象和知觉的调查

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Neuropsychological studies have suggested that imagery processes may be mediated by neuronal mechanisms similar to those used in perception. To test this hypothesis, and to explore the neural basis for song imagery, 12 normal subjects were scanned using the water bolus method to measure cerebral blood flow (CBF) during the performance of three tasks. In the control condition subjects saw pairs of words on each trial and judged which word was longer. In the perceptual condition subjects also viewed pairs of words, this time drawn from a familiar song; simultaneously they heard the corresponding song, and their task was to judge the change in pitch of the two cued words within the song. In the imagery condition, subjects performed precisely the same judgment as in the perceptual condition, but with no auditory input. Thus, to perform the imagery task correctly an internal auditory representation must be accessed. Paired-image subtraction of the resulting pattern of CBF, together with matched MRI for anatomical localization, revealed that both perceptual and imagery. tasks produced similar patterns of CBF changes, as compared to the control condition, in keeping with the hypothesis. More specifically, both perceiving and imagining songs are associated with bilateral neuronal activity in the secondary auditory cortices, suggesting that processes within these regions underlie the phenomenological impression of imagined sounds. Other CBF foci elicited in both tasks include areas in the left and right frontal lobes and in the left parietal lobe, as well as the supplementary motor area. This latter region implicates covert vocalization as one component of musical imagery. Direct comparison of imagery and perceptual tasks revealed CBF increases in the inferior frontal polar cortex and right thalamus. We speculate that this network of regions may be specifically associated with retrieval and/or generation of auditory information from memory.
机译:神经心理学研究表明,成像过程可能是由类似于感知中使用的神经元机制介导的。为了验证这一假设并探索歌曲意象的神经基础,使用水推注法对12名正常受试者进行了扫描,以测量执行三项任务期间的脑血流量(CBF)。在对照条件下,受试者在每个试验中看到成对的单词,并判断哪个单词更长。在感知条件下,对象还观看了成对的单词,这是从一首熟悉的歌曲中提取的;他们同时听到了相应的歌曲,他们的任务是判断歌曲中两个提示词的音高变化。在成像条件下,受试者执行与感知条件下完全相同的判断,但没有听觉输入。因此,为了正确执行成像任务,必须访问内部听觉表示。生成的CBF模式的成对图像减法以及匹配的MRI在解剖学上的定位揭示了感知和图像。与假设条件相比,与控制条件相比,任务产生了类似的CBF变化模式。更具体地说,感知和想象的歌曲都与次级听觉皮层中的双侧神经元活动相关,这表明这些区域内的过程是想象的声音的现象学印象的基础。在这两项任务中引起的其他CBF病灶包括左,右额叶和左顶叶的区域,以及辅助运动区域。后一个区域暗示了隐性发声作为音乐意象的一个组成部分。对影像和知觉任务的直接比较显示,额叶下极皮层和右丘脑的CBF增加。我们推测该区域网络可能与从内存中检索和/或生成听觉信息特别相关。

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