Kissing in the Carnage: An Examination of Framing on Twitter During the Vancouver Riots

摘要

This study examines the frames found on Twitter during the Vancouver riots on June 15, 2011. A textual analysis was employed, and resulted in the identification of 5 frames: fandom, riot propagation, global perspectives, shame on Vancouver, and real fans vs. idiots. The identification of these frames illustrated Twitter's role as a source of news and information, and also an outlet for shaping public opinion and cultural perception. Twitter provided the opportunity to counter public perceptions of Canadian hockey fans and the rioters through displays of dissociation, embarrassment, remorse, and comparisons to substantial global events of political unrest.