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Giuseppe Samona at the Palazzo del Montecitorio, Rome 1967

机译:朱塞佩·萨莫纳(Giuseppe Samona),1967年在罗马蒙特西托里奥宫

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摘要

The national competition for the extension of the Camera dei Deputati, or Italian Lower Parliament, records a crucial moment in architectural debate in Italy after the Sixties. Samona's entry is particularly important not only to understand his personal research in depth, but also to diagnose the status of architectural culture in general. Newly discovered materials helped to shed new light on some crucial issues of architectural debates, as well as to reconstruct different alternatives of the project. Arguments such as the destiny of the historic centers, the potential of architectural objects, and the relationship between city and architecture are seen in comparative studies with previous projects and in comparison to those of other architects in the Novecento. The crisis and continuity that characterize Samona's and other architects' engagement are focused as a critical stance within the socio-political context. Lastly, the comprehensive significance of the open hand is analyzed by studying the personal and professional relationship that Samona had with Le Corbusier. Research funding for this study was provided by Kyung Hee University.
机译:全国代表大会(Camera dei Deputati)或意大利下议院的扩建竞赛在60年代后的意大利建筑辩论中记录了关键时刻。 Samona的入职特别重要,不仅是要深入了解他的个人研究,而且对于诊断整个建筑文化的状况也非常重要。最新发现的材料有助于为建筑辩论中的一些关键问题提供新的思路,并重构了该项目的其他替代方案。在与先前项目的比较研究中以及与Novecento中其他建筑师的比较研究中,可以看到诸如历史中心的命运,建筑对象的潜力以及城市与建筑之间的关系之类的争论。萨莫纳和其他建筑师参与的危机和连续性在社会政治背景下被视为关键立场。最后,通过研究萨莫纳与勒·柯布西耶之间的个人和职业关系来分析张开手的综合意义。这项研究的研究经费由庆熙大学提供。

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