Kitaro Nishida's Philosophy Of Emptiness And Its Architectural Significance

摘要

In order to reconcile the breach between the "typologist" and the "populationist" in contemporary architecture, this article discusses Kitaro Nishida's philosophy of emptiness. The article first introduces Asian artistic examples to illustrate the significance of emptiness in art. It then discusses Nishida's emptiness as the ultimate foundation of reality from which being and nonbeing coemerge. The article also summarizes three interrelated lessons from Nishida's emptiness pertaining to architecture: the dialectic of opposites, the bodily subject of immersion, and the dialectic between the ideal and the real. The article finally explicates these concepts by discussing Asian and Western architectural examples.