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The antiquity art market: between legality and illegality

机译:古代艺术市场:合法与非法之间

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Purpose - The paper aims to present both the legal and illegal aspects of the market in antiquities, specifically cultural objects which are transported from source countries to countries where they are sold or auctioned. Design/methodology/approach - The paper starts by defining the concept of antiquity and then examines the origin of objects, those involved in the market in different capacities, the question of how the origin of objects is examined, and the scope of the market. A number of examples are given as illustrations. Findings - The analysis shows how many different participants are involved in the market globally. Views on how well the provenance of an object needs to be established and on what is cultural theft are changing. However, structural and cultural characteristics of the market mean that it remains difficult to penetrate and is susceptible to organised crime. Research limitations/implications - Space and legal constraints mean that only a few examples can be given and a small number of routes examined. Originality/value - This is one of the first global examinations of the criminality of this type of market.
机译:目的-本文旨在介绍古物市场的法律和非法方面,特别是从来源国运输到出售或拍卖国家的文物。设计/方法/方法-本文首先定义古代概念,然后研究对象的起源,以不同能力参与市场的对象,如何检查对象的起源以及市场范围的问题。给出了许多例子作为说明。调查结果-分析显示全球有多少不同的参与者参与市场。关于如何确定物体出处的好坏以及什么是文化盗窃的观点正在改变。但是,市场的结构和文化特征意味着它仍然难以渗透并且容易受到有组织犯罪的影响。研究的局限性/意义-空间和法律限制意味着只能举几个例子,只检查少数路线。原创性/价值-这是对此类市场的犯罪行为的首次全球审查。

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