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A Semaotsc Approach Through Panofsky's Image Text:An Analysis of a Special Building 'Mansion' in Turkish TV Serials

机译:通过Panofsky的形象文本进行Semaotsc方法:在土耳其电视序列中的一个特殊建筑'豪宅'的分析

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摘要

While visual emerges as a concept based on seeing in a narrow sense, it defines everything that can be seen with a broader meaning. The idea of seeing is not limited to taking images only by the eye, but also includes the interpretation of images by the brain. Mansions that are used in a television series shot in Turkey are presented to the viewer as a visual narrative text. In this context, these mansions are intended to be read semiotically. In the study, the placement of the mansion building style, which has an important place in Turkish culture, as a visual space and the meanings attributed to it are examined. Based on Panofsy's method of semiotic iconographic analysis, the use of these mansions is discussed in the context of the semiotic narrative. The narratives that exist through the meaning and visual narrative in which Turkish society has positioned the traditional living environments, as well as the narratives that it tries to place in the audience, are tried to be evaluated.
机译:虽然视觉作为一个概念出现,但基于在狭义中看到的概念,它定义了以更广泛的含义可以看到的一切。 看到的想法不仅限于仅通过眼睛拍摄图像,而且还包括大脑的图像解释。 在土耳其拍摄的电视系列中使用的豪宅作为视觉叙述文本呈现给观众。 在这种情况下,这些豪宅旨在术语术语。 在该研究中,豪宅的安排在土耳其文化中具有重要位置,作为视觉空间和归因于它的含义。 基于Panofsy的符号序列图标分析方法,在符号叙述的背景下讨论了这些豪宅的使用。 通过意义和视觉叙述存在的叙述,其中土耳其社会定位了传统的生活环境,并试图评估了它试图在观众中放置的叙述。

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