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The Indian television melodrama: a vehicle for social innovation

机译:印度电视剧:社会创新的工具

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摘要

In stark comparison to its western counterparts, Indian television has a relatively short history. Due to the evolution in telecommunications and media over the past few decades, however, it has managed to evolve into a giant form of entertainment with a wide range of offerings. Since the advent of Indian television and its influx in the entertainment market, the family drama genre has remained one of its most popular components. More specifically, the role of the Indian female in the melodrama has garnered a great deal of importance. This research paper provides an overview of Indian television's family drama genre, exploring the format, narrative structure, and blueprint of popular cable TV serials. This paper discusses the programme Baa Bahoo Aur Baby, a mainstream commercial soap opera that used the classic blueprint of Indian dramas juxtaposed with a unique story-telling format to serve as a communicator of vital social messages. We examine Baa Bahoo Aur Baby as a case study in this overall analysis on the changing face of Indian television, and the ways in which the serial has manifested itself through a unique form of presentation, still garnering high viewership in the process.
机译:与西方国家相比,印度电视的历史相对较短。但是,由于过去几十年来电信和媒体的发展,它已经成功地发展成为一种娱乐形式繁多的娱乐产品,其种类繁多。自印度电视问世并进入娱乐市场以来,家庭戏剧类型一直是其最受欢迎的组成部分之一。更具体地,印度女性在情节剧中的作用获得了极大的重视。本研究论文概述了印度电视的家庭戏剧类型,探讨了流行有线电视连续剧的格式,叙述结构和蓝图。本文讨论了节目Baa Bahoo Aur Baby,这是一种主流的商业肥皂剧,该节目将印度戏剧的经典蓝图与独特的故事讲述形式并置在一起,作为重要社会信息的传播者。在对印度电视不断变化的面貌进行全面分析的过程中,我们以《 Baa Bahoo Aur Baby》为案例研究,以及该系列通过独特的展示形式展现自己的方式,并在此过程中仍获得了高收视率。

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