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Amateur Work: Reader Participation and Dialogicm in Late-nineteenth-century Domestic Design Advice

机译:业余工作:19世纪后期国内设计咨询中的读者参与和对话

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This article offers a rereading of Victorian domestic design advice that emphasizes its dialogic qualities rather than presuming its didactic or discursive status. Previous work on late nineteenth-century design advice literature has rightly identified its distance from everyday practice, but various publications demonstrate that domestic design was mediated by readers and often developed through an ongoing conversation with them. This article identifies the dialogic apparatus of one late nineteenth-century how-to magazine, Amateur Work (1881-96), edited by Francis Chilton-Young. Adopting Russian theorist Mikhail Bakhtin's idea of dialogism (how texts emerge from different authors and "extraliterary" contexts), this article shows how Amateur Work's editor and writers were in constant dialog with their readers, principally through the reader-response column in each issue entitled "Amateurs in Council." Case studies on bookcase and fernery construction in this section serve as examples of how content was generated out of reader-to-reader interaction, how tips were shared, and how readers adapted advice to their particular circumstances. Such evidence challenges the presumption that readers of domestic design advice were passive, uncritically following prescriptions by authors or reading such literature for entertainment alone.
机译:本文重读了维多利亚时代的国内设计建议,该建议强调其对话性,而不是假定其教pre性或话语权。早在19世纪末的设计咨询文献中,有关工作已经正确地确定了其与日常实践的距离,但是各种出版物表明,家用设计是由读者进行调解的,并且通常是通过与读者进行不断的交谈而发展起来的。本文介绍了由弗朗西斯·奇尔顿·杨(Francis Chilton-Young)编辑的一本19世纪末的操作方法杂志《业余工作》(1881至96)的对话工具。本文采用俄国理论家米哈伊尔·巴赫金(Mikhail Bakhtin)的对话主义思想(文本是如何从不同的作者和“非文学”语境中出现的),显示了业余工作的编辑和作家如何与读者保持经常性对话,主要是通过每一期题为“读者回应”的栏目进行的。 “议会中的业余人员。”本节中有关书架和酒架构造的案例研究可作为示例,说明如何通过读者与读者之间的互动来生成内容,如何共享技巧以及读者如何根据自己的具体情况调整建议。这些证据挑战了这样的假设:家庭设计建议的读者是被动的,不加批判地遵循作者的处方,或者仅阅读这些文献作为娱乐。

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