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Manus × Machina: Fashion in an Age of Technology

机译:Manus×Machina:技术时代的时尚

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The connections between textiles, fashion, and the constructed environment are both deep and significant, and there is much scholarship attesting to the natural and necessary overlaps between these two fields of design. Gottfried Semper asserted in the nineteenth century that the earliest examples of enclosed space were derived directly from textiles and textile techniques (Houze 2006). More recently, Penny Sparke established the numerous parallel practices of fashion's haute couture and the profession of interior design, as they existed at the turn of the twentieth century. (Sparke 2008) Similarly, Lois Weinthal has elucidated the shared aspects of textiles and interior design, starting with the metaphor, "skin and bones" (Weinthal 2016).
机译:纺织品,时装和人造环境之间的联系既深刻又重要,并且有很多学者证明这两个设计领域之间自然而然的必要重叠。戈特弗里德·森珀(Gottfried Semper)在19世纪断言,封闭空间的最早例子直接来自于纺织品和纺织技术(Houze 2006)。最近,Penny Sparke建立了时装高级定制时装和室内设计专业的众多并行实践,就像二十世纪初那样。 (Sparke,2008年)同样,Lois Weinthal从隐喻“皮肤和骨头”开始阐明了纺织品和室内设计的共同方面(Weinthal,2016年)。

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