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On Aesthetic Judgement and our Relation to Nature: Kant's Concept of Purposiveness

机译:论审美与我们与自然的关系:康德的目的性概念

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摘要

I offer a critical reconstruction of Kant's thesis that aesthetic judgement is founded on the principle of the purposiveness of nature. This has been taken as equivalent to the claim that aesthetics is directly linked to the systematicity of nature in its empirical laws. I take issue both with Henry Allison, who seeks to marginalize this claim, and with Avner Baz, who highlights it in order to argue that Kant's aesthetics are merely instrumental for his epistemology. My solution is that aesthetic judgement operates as an exemplary presentation of our general ability to schematise an intuition with a concept at the empirical level. I suggest that this counts as an empirical schematism. Although aesthetic judgement is not based on empirical systematicity, it can nevertheless offer indirect support for the latter in so far as it is a particular revelation of purposiveness in general.
机译:我对康德的论点进行了批判性的重构,即审美判断是建立在自然目的性原则基础上的。这已被认为等同于这样的主张,即美学在其经验定律中直接与自然的系统性联系在一起。我要与试图使这一主张边缘化的亨利·艾里森(Henry Allison)以及为了强调康德的美学观念只是他的认识论的观点的艾夫纳·巴兹(Avner Baz)而争论不休。我的解决方案是,审美判断是对我们在经验水平上用概念示意直觉的一般能力的一种典型表现。我建议将其视为经验图式。尽管美学判断并非基于经验系统性,但它可以为后者提供间接支持,只要它总体上是针对性的特定揭示。

著录项

  • 来源
    《Inquiry》 |2006年第6期|p.547-572|共26页
  • 作者

    FIONA HUGHES;

  • 作者单位

    Department of Philosophy, University of Essex, Wivenhoe Park, Colchester CO4 3SQ, UK;

  • 收录信息 美国《科学引文索引》(SCI);
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 哲学、宗教;
  • 关键词

  • 入库时间 2022-08-18 02:21:33

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