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The story of stereo

机译:立体声的故事

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摘要

In the late 1940s James Caesar Petrillo, the union bruiser who ran the American Federation of Musicians and had cheerfully banned all recording for several years, was told about plans for stereo recording. His immediate reaction was that his musicians would have to be paid double rates. Fortunately, American recording pioneer Bert Whyte persuaded Petrillo that his musicians would benefit because they would have to record everything all over again, so stereo was good for the union. The first stereo tape recorders, from Magnecord, went on sale in 1949 - the year after CBS launched the vinyl LP. The first stereo LPs went on sale in 1958 when Audio Fidelity Records beat the majors with a batch of titles that used the new Westrex stereo system that the industry had just adopted as a standard.
机译:在1940年代后期,詹姆斯·凯撒·佩特里罗(James Caesar Petrillo)被告知了立体声录音的计划,后者是运营美国音乐家联合会的成员,并乐意禁止所有录音。他的立即反应是,他的音乐家将获得双倍的报酬。幸运的是,美国唱片先驱伯特·怀特(Bert Whyte)说服了佩特里罗,他的音乐家会从中受益,因为他们将不得不重新录制所有内容,因此立体声对工会很有好处。第一台立体声录音机,来自Magnecord,于1949年(即CBS推出了乙烯基LP的第二年)开始销售。第一批立体声LP于1958年开始销售,当时Audio Fidelity Records用一批使用行业刚刚采用的新Westrex立体声系统的唱片来击败专业音乐。

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