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摘要

It's not everyday that we see a new loudspeaker technology appear on the scene. Some 10 years in the making, there's a novel acoustic principle employed by these remarkable loudspeakers. Andrew Harrison tells the story of a very Russian Italian loudspeaker. With the honourable exception of electrostatic panels, pretty much every speaker you're likely to encounter in the hi-fi world relies on two or more drive units per channel, pointing toward the listener. And with a typical triangular layout in the room made up of two speakers and a listener, it's easy to recreate a three-dimensional stage of sound before you.
机译:我们并非每天都能看到一种新的扬声器技术出现在现场。大约十年的制造过程中,这些出色的扬声器采用了一种新颖的声学原理。安德鲁·哈里森(Andrew Harrison)讲述了一个非常俄罗斯的意大利扬声器的故事。除了静电面板以外,在高保真音响世界中,您可能遇到的每个扬声器几乎都依赖于每个声道两个或多个驱动单元,指向听众。而且,由于房间中典型的三角形布局由两个扬声器和一个听众组成,因此很容易在您面前重建三维声音阶段。

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