Where 'our world' stands at present on the topic of surround sound for music isn't clear. It's been contentious since the days of quadrophony, which was ensured a pitifully brief life: arguably from 1970 until Dolby Surround arrived in the 1980s. That failure was guaranteed was due to the electronics industry's incurable habit of launching competing formats. Yet now we have access to faultless, discreternmultichannel sources. Why the revulsion?
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