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StreamUnlimited has been in existence since 2005 although the original block of employees predates this and was previously employed by Philips. It offers a streaming solution to manufacturers who would otherwise struggle to develop such a system from scratch. Given that both StreamUnlimited and Pro-Ject are based in Austria that would seem like a natural partnership, but it was Musical Fidelity who first brought a StreamUnlimited solution to market with the CLiC. StreamUnlimited is not alone in offering this service. Cambridge-based Reciva offered a similar platform for manufacturers to build units around until it was purchased (appropriately enough) by Cambridge Audio, with which it had developed the NP30 network streamer. As relatively complex software becomes necessary in the design of network music players and other units, such companies are likely to become more important as smaller audio companies look to them for a leg-up in product development.
机译:自2005年以来,StreamUnlimited就已经存在,尽管最初的员工组早于此,并且之前由飞利浦雇用。它为制造商提供了流媒体解决方案,否则他们将难以从头开始开发这样的系统。考虑到StreamUnlimited和Pro-Ject都位于奥地利,这似乎是自然的合作伙伴关系,但Musical Fidelity率先将CliC引入StreamUnlimited解决方案。提供此服务的并不只有StreamUnlimited。总部位于剑桥的Reciva为制造商提供了一个类似的平台,供其建造单元,直到被剑桥音频公司(适当地)购买了它(它已经开发了NP30网络流媒体)为止。由于在网络音乐播放器和其他设备的设计中必须使用相对复杂的软件,因此,随着小型音频公司希望他们在产品开发中脱颖而出,此类公司可能变得越来越重要。

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    《Hi-Fi news》 |2012年第1期|p.53|共1页
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