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Are You Buying Pre-Ruined Music

机译:您要购买预破坏的音乐吗

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摘要

Much is written about music and the musicians who entertain us, and we rightly exalt great musicians. But there is an interlinked chain of participants, two of which are I believe are crucial to our music scene in today's world. For centuries the music chain was a very short one -composers or songwriters, musicians and listeners, and the judgement on quality was immediate. Recording technologies have changed all this exponentially. Today, we listen to most of our music from a recording and this gives recording engineers the opportunity to avoid poor acoustics, duff notes and off days. This, of course, means the chain has grown to include the recording engineers, the music distribution system (retailers or downloads), hi-fi manufacturers, hi-fi sellers and the hi-fi purchasers, the latter being the listeners. I should start by saying that hi-fi has become an adulterated term that no longer has its original meaning because it's applied to much equipment that certainly should not be termed high-fidelity.
机译:关于音乐和招待我们的音乐家的文章很多,我们正确地赞扬伟大的音乐家。但是有一个相互联系的参与者链,我相信其中两个对当今世界的音乐界至关重要。几个世纪以来,音乐链是很短的一个人-作曲家或作曲家,音乐家和听众,对质量的判断是立竿见影的。记录技术已经改变了这一切。今天,我们从录音中聆听大部分音乐,这使录音工程师有机会避免不良的音响效果,达芙音符和休息日。当然,这意味着连锁店已经增长到包括录音工程师,音乐分发系统(零售商或下载),高保真制造商,高保真卖方和高保真购买者,后者是听众。首先,我要说的是,高保真已成为一个掺假术语,不再具有其原始含义,因为它已被应用到许多不应该被称为高保真度的设备上。

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    《Hi-Fi News》 |2013年第1期|128-129|共2页
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