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PRODUCTION NOTES

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What made Dare so refreshingly different as a mainstream pop record - and an album entirely of its time -was its bountiful use of analogue synthesizers, drum machines, sequencing and programming. The studio equipment employed by producer Martin Rushent read like a 1981 annual of hi-tech instrumentation. Rushent, who died in June 2011, was a veteran engineer who had worked on records by T Rex, Yes, and Emerson, Lake And Palmer, and later went on to produce well known punk bands such as Buzzcocks and The Stranglers. After expressing a desire to move away from guitar bands he became an ambassador for The Human League's 'synthpop' sound, buying a Linn LM-1 drum machine, a Roland MC-8 Microcomposer and a Jupiter-8 synthesizer to learn sequencing.
机译:Dare之所以成为主流流行唱片和整张专辑如此令人耳目一新,是因为它大量使用了模拟合成器,鼓机,音序和编程。制片人马丁·鲁申特(Martin Rushent)雇用的录音棚设备读起来就像是1981年的高科技仪器。 Rushent于2011年6月去世,是一位资深工程师,曾在T Rex,Yes和Emerson,Lake And Palmer的唱片上工作,后来又制作了知名的朋克乐队,例如Buzzcocks和The Stranglers。在表达了离开吉他乐队的愿望后,他成为了人类联盟“ synthpop”声音的代言人,购买了Linn LM-1鼓机,Roland MC-8微型合成器和Jupiter-8合成器来学习音序。

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    《Hi-Fi News》 |2013年第1期|74-74|共1页
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