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Sony TTS-8000 turntable

机译:索尼TTS-8000转盘

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While the 1970s marked the beginning of the hi-fi industry's heyday, by the end of that decade things were starting to change. When it came to source components the turntable ruled, and belt drive was king - at least in the UK. Direct drive was viewed with suspicion by many, while for others it was little more than a sales badge seen on the front of high-street rack systems. Many felt that a turntable could only be taken seriously if it employed the appropriate quota of rubber bands. This was in stark contrast to the likes of Japan, the US and Germany, where high-end direct-drive units from the Land of the Rising Sun were snapped up. As a result, designs like the Yamaha GT-2000, Trio L-07D and Marantz TT-1000 [HFN Sep '12] were rarely to be found on British shores while the Technics SP-10 only became well known thanks to its use in professional environments such as radio stations.
机译:1970年代标志着高保真音响行业的鼎盛时期,但到那个十年末,情况开始发生变化。采购零件时,转盘占了上风,皮带传动是王道-至少在英国是这样。许多人怀疑直接驱动,而对于其他人,它只不过是在高街货架系统前面看到的销售徽章。许多人认为,转盘只有采用适当数量的橡皮筋,才能认真对待。这与日本,美国和德国等国形成鲜明对比,日本,美国和德国都抢购了旭日国度的高端直驱单元。结果,在英国海岸很少发现像Yamaha GT-2000,Trio L-07D和Marantz TT-1000 [HFN Sep '12]这样的设计,而由于Technics SP-10的使用,它才广为人知。专业环境,例如广播电台。

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