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Tonearms & cartridges

机译:音调和弹药筒

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摘要

Although the word 'tonearm' was coined when the arm and its associated soundbox had a major influence on the tone of the sound, this became less relevant as electrical pick-ups became the norm, but the name stuck. It was not until the advent of high fidelity and the stereo LP record that the capabilities of arms and cartridges as separate entities were pushed onwards.This is not to say that some dedicated arm and matching head units are not worthy in their own right. Names like Leak, Connoisseur and Coldring are highly sought after for quality mono reproduction, but one of the first stereo designs to appear on the market was the Decca FFSS, introduced in 1958.The FFSS offered a big step up in quality due to its unusual construction. The virtual absence of a cantilever put the motor assembly right by the stylus with the result that a much more detailed sound could be achieved.
机译:尽管当手臂及其相关的音箱对声音的音调产生重大影响时,就创造了“ tonearm”一词,但随着电子拾音器成为一种规范,这变得不那么重要了,但这个名字仍然存在。直到高保真的出现和立体声LP唱片的出现,才将臂和弹药筒作为独立实体的功能推向前进,这并不是说某些专用的臂和匹配的头部装置本身就不值得。高质量的单声道再现受到诸如Leak,Connoisseur和Coldring等名称的追捧,但市场上最早出现的立体声设计之一是1958年推出的Decca FFSS。由于其不寻常的特性,FFSS的质量大大提高了施工。几乎没有悬臂,使电机组件靠着触控笔定位,结果是可以获得更细腻的声音。

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  • 来源
    《Hi-Fi News》 |2014年第6期|114-116118|共4页
  • 作者

    Adam Smith;

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