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If you are serious about vinyl you should read this

机译:如果您对乙烯基很认真,则应阅读此书

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摘要

Our three phono pre-amplifiers have consistently won top awards in Hi Fi World, Hi Fi News, and Hi Fi choice, and other countries whenever they are reviewed. The brilliantly conceived 1950's RIAA equalisation for LP reproduction calls for a simple low noise valve stage which attenuates treble according to frequency. This may be done easily in stereo with just three valves recovering the minute musical detail recorded in the groove walls giving the same original tonal balance. A "warmer" more satisfying sound without emphasising surface noise and scratches that older vinyl is prone to have. Whilst technically modern solid state designs work well, their complex multi-stages often "loose" something in comparison to valves and can sound cold, clinical and uninteresting, lacking the passion and emotion in the music whether it be Vivaldi or the Verve. Whilst the Compact Disc is stuck with its dated 1977 software, Vinyl technology continues to advance. Improved stylus shapes and tone arms keep pushing the technical boundary on what can be recovered from an LP groove and with an Icon Audio phono stage can reveal simply astonishing results, even from early 1950's recordings. As the definition of equipment improves we have refined our designs to maintain the focus and presentation to be without any "mechanical" or contrived quality.
机译:我们的三个唱机前置放大器在经过审查后,一直在Hi Fi World,Hi Fi News和Hi Fi选择以及其他国家/地区中屡获殊荣。精心构思的1950年LP复制的RIAA均衡技术要求一个简单的低噪声阀级,该级根据频率衰减高音。仅需三个阀门就可以轻松地实现立体声音响效果,只需三个阀门即可恢复记录在凹槽壁上的微小音乐细节,从而获得相同的原始音调平衡。一种“更温暖”的令人满意的声音,而无需强调表面噪音和较旧的乙烯基容易产生的划痕。从技术上讲,现代固态设计效果很好,但与阀门相比,它们复杂的多级设计通常会“松动”某些东西,听起来冷淡,临床且无趣,无论是维瓦尔第(Vervaldi)还是Verve,都缺乏音乐的激情和情感。尽管光盘被其1977年版本的软件所困扰,但Vinyl技术仍在不断发展。改进的手写笔形状和音调臂不断推动着可以从LP凹槽中恢复音乐的技术界限,并且即使使用1950年代早期的录音机,Icon Audio唱头放大器舞台也可以显示出惊人的效果。随着设备定义的改进,我们已经改进了设计,以保持重点和外观的质量,而不存在任何“机械”或人为的质量。

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    《Hi-Fi News》 |2016年第12期|137-137|共1页
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