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Early influences

机译:早期影响

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摘要

The child is father to the man, according to the old adage. My involvement with recorded music and the equipment needed to play it goes back to pre-verbal days. I remember brightly-coloured red and yellow kiddie discs, and a little player whose operation I mastered when I was so small I could walk under the kitchen table without ducking. Or so it seems to me in recollection. I grew up the oldest of four kids in a boisterous Anglo-Irish family. In our house no disagreement was ever settled rationally, but was instead propelled by shouting all the way to its final punctuation: always a slamming door, to this day a sound that fills me with dread. We had much love and affection for each other but also much rancour. Music was the healing balm, the antidote that restored balance.
机译:按照古老的格言,孩子是男人的父亲。我对录音音乐和播放音乐所需设备的投入可以追溯到口头时代。我记得色彩鲜艳的红色和黄色儿童光盘,还有一个小播放器,我很小的时候就掌握了它的操作,因此可以在厨房桌子底下走动而不会躲避。大概在我看来。我在一个喧闹的盎格鲁-爱尔兰家庭中长大,是四个孩子中最大的一个。在我们家中,从来没有合理解决过分歧,而是一路大喊大叫直到最后的标点符号来推动:始终是一扇关门,直到今天,这种声音使我感到恐惧。我们彼此之间充满了爱和感情,但也充满了怨恨。音乐是治愈的香脂,是恢复平衡的解毒剂。

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  • 来源
    《Hi-Fi News》 |2016年第6期|119-119|共1页
  • 作者

    Barry Willis;

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