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Hi-res, bits and ambience

机译:高分辨率,细节和氛围

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Taking part in some recent research at Cardiff University I was told I had above average hearing, especially for my age (63), but loss of high frequencies above 4kHz was evident. Unfortunately, the tests were done the day after I attended a Crosby, Stills & Nash concert and I was still experiencing some ringing/tinnitus. Testing rather more crudely at home weeks later with the HFN test CD, Adobe Audition and headphones there was some good recovery up to 8kHz, but 10kHz and above appears to be a distant memory. Attending the excellent Hi-Fi News Windsor show in October last year I noted that many visitors were of a similar vintage to my own. This prompted discussion about the loss of high frequencies and the benefits of high resolution recordings of 96kHz or 192kHz/24-bit, etc. Clearly I cannot benefit from the high frequencies stretching out to 40kHz and above. However, I believe I can still sense more ambience around instruments from some hi-res recordings.
机译:有人告诉我,我在卡迪夫大学(Cardiff University)参加了一些近期研究,听说我的听力水平高于平均水平,尤其是对于我这一年龄段的年龄(63岁),但是4kHz以上的高频明显消失了。不幸的是,测试是在我参加了Crosby,Stills和Nash音乐会的第二天进行的,我仍然遇到一些铃声/耳鸣。几周后,使用HFN测试CD,Adobe Audition和耳机在家里进行了更粗略的测试,直到8kHz时,恢复良好,但是10kHz及以上的频率似乎是遥远的记忆。去年10月,我参加了出色的Hi-Fi News Windsor展会,我注意到许多游客都和我的年份相似。这引发了有关高频损耗的讨论以及96kHz或192kHz / 24位高分辨率记录的好处等。显然,我无法受益于40kHz及以上的高频。但是,我相信我仍然可以从一些高清唱片中感受到乐器的氛围。

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    《Hi-Fi News》 |2016年第5期|117-117|共1页
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