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The art of vinyl

机译:乙烯基的艺术

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As 2015 rolled into 2016 the music industry lost two of its epochal figures - Ian (Lemmy) Kilmister and David Bowie, the latter celebrated by way of our Vinyl Icon this month [p78]. While there may have been little crossover between the musical output of Lemmy's Motorhead and Bowie's glam rock and electronica - though a case could be made for Hawkwind's rock psychedelia - both men defined not only their own genres but also an entire half century of music. Both also inspired countless acts and performers that followed in their wake. Both also had style (Bowie's continually reinvented), a vocal and performance-driven personality that not only ensured their music was - and will remain -instantly recognisable but also informed the artwork of their LP covers.
机译:随着2015年进入2016年,音乐行业失去了两个时代人物-伊恩(莱米)基尔米斯特和大卫·鲍伊,后者通过本月的Vinyl Icon庆祝[p78]。尽管莱米(Lemmy)的《摩托黑德》(Motorhead)和鲍伊(Bowie)的迷人摇滚与电子乐的音乐输出之间可能几乎没有交叉-尽管可以证明霍克温德(Hawkwind)的摇滚迷幻音乐-这两个人不仅定义了自己的音乐流派,而且定义了整个半个世纪的音乐。两者也激发了无数行为和表演者的注意。两者都有风格(Bowie不断地被重新发明),一种以声音和表演为主导的个性,不仅确保了他们的音乐-并且将一直-能够被立即识别,而且还告知了他们LP封面的艺术作品。

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    《Hi-Fi News 》 |2016年第3期| 103-103| 共1页
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    Paul Miller;

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