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Don't fight the music

机译:不要吵架

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Looking back to the late 1970s [see 'Investigation', Jan and Feb] it does seem remarkable that the same brief period saw both the rise of the small labels that promoted direct-cut recording, and the rapid emergence of digital recording. Of course, the underlying factor was the strength of the record industry itself. Although the hi-fi business had shot itself in the foot with quadraphonic, and consumers were now being distracted by video recorders, record sales would hold up well until the great recession of 1981. Yet the intense activity of the 1970s brought with it the beginning of an embittered analogue-versus-digital debate, particularly in America.
机译:回顾1970年代末期(请参阅“调查”,1月和2月),在同一短暂时期内,促进直接切割录音的小标签的兴起和数字录音的迅速兴起似乎确实令人瞩目。当然,根本因素是唱片业本身的实力。尽管高保真音响业务已经用四声唱法打响了脚步,而如今消费者正被录像机所吸引,但唱片销售将保持良好的势头,直到1981年经济大萧条为止。然而,1970年代的激烈活动使它开始了激烈的模拟与数字辩论,尤其是在美国。

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  • 来源
    《Hi-Fi News 》 |2016年第3期| 111-111| 共1页
  • 作者

    Steve Harris;

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