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Girls don't rock and boys don't bop: adolescent musical identity and gender stereotypes in popular music.

机译:女孩不会摇滚,男孩不会跳动:流行音乐中的青少年音乐特征和性别刻板印象。

摘要

This study investigated what are considered to be gender appropriate musical behaviours from the perspective of adolescents, with a particular focus on listening behaviours and musical preferences. Gender stereotypes in popularised music and ways in which stereotypes are generated through popular media is also explored. Educational implications of gender delineated musical meaning in popular styles of music are considered in order to contribute to a growing body of research on the use of popular music in the classroom. Data were collected from three focus groups involving adolescents of varied ages from three different schools. Music educators from two of the participating schools also contributed to the study. Grounded theory was developed using open and axial coding of the collected data. Results indicated that gender stereotypes in music listened to by adolescents affect musical identity formation to varying degrees depending on susceptibility to social pressures. Gender delineated musical meaning in the classroom was found to have an impact on musical behaviours of students as a result of teacher attitudes and initiatives towards creating a gender balanced music classroom.
机译:这项研究从青少年的角度调查了被认为适合性别的音乐行为,尤其侧重于听力行为和音乐喜好。还探讨了流行音乐中的性别刻板印象以及通过大众媒体产生刻板印象的方式。为了在教室中普及使用流行音乐做出越来越多的研究,考虑了以流行音乐风格描述性别的音乐意义的教育意义。数据来自三个不同学校的三个不同年龄段青少年的焦点小组。来自两所参与学校的音乐教育者也为这项研究做出了贡献。扎根理论是通过对收集到的数据进行开放式和轴向编码而发展起来的。结果表明,青少年对音乐的性别刻板印象取决于对社会压力的敏感性,在不同程度上影响音乐身份的形成。由于教师的态度和建立性别平衡的音乐教室的举措,发现教室中描述了性别的音乐含义对学生的音乐行为产生了影响。

著录项

  • 作者

    Baggott Tara;

  • 作者单位
  • 年度 2008
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  • 原文格式 PDF
  • 正文语种 en
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