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My star deck

机译:我的星空甲板

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摘要

I was interested to read Barry Willis's Opinion column in the September issue in which he explored the continuing appeal to audiophiles of reel-to-reel tape decks. By coincidence, I have just refurbished my 4-track twin-speed Dokorder 1120 deck, which hadn't been switched on since the mid-'90s and had been in storage while I lived overseas. I bought it in January 1976 and paid £299 for it. (I'm sad, I still have the receipt.) Amazingly, it works, despite my fear that the capacitors would have dried out and the drive belts deteriorated. Not a bit. I listened to a Heifetz recording of the Korngold Violin Concerto that I recorded in December 1976 on standard BASF tape using a normal bias setting. It's perfect. Outstanding sound - no hiss, all four tracks. Most of my tapes are lOVkin back-coated Maxell 35-180B, which give 192 minutes of play in both directions. Onkyo knew how to build a good solid product. Remarkable after all these years.
机译:我很感兴趣阅读九月号的巴里·威利斯(Barry Willis)的《意见》专栏,其中他探讨了磁带对磁带录音机对发烧友的持续吸引力。碰巧的是,我刚刚翻新了我的4轨双速Dokorder 1120甲板,该甲板自90年代中期以来就没有打开过,并且在我居住在国外时一直在存放。我于1976年1月购买了它,并为此支付了299英镑。 (我很伤心,我仍然有收据。)尽管我担心电容器会变干并且传动皮带变坏了,但它仍然有效。没事我听了1976年12月用普通偏置设置在标准巴斯夫录音带上录制的考恩戈德小提琴协奏曲的海菲兹唱片。这是完美的。出色的音色-四个音轨均无嘶嘶声。我的大多数录音带都是lovkin背面涂层的Maxell 35-180B,可在两个方向上播放192分钟。 Onkyo知道如何制造优质的固体产品。这些年来令人瞩目。

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  • 来源
    《Hi-Fi news》 |2017年第11期|112-112|共1页
  • 作者

    Robert Hawkins;

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