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【24h】

John Leckie

机译:约翰·莱基

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摘要

It must have seemed like a good idea at the time. Record an album in a week. Guitar on Monday, drums on Tuesday, bass on Wednesday, keyboards on Thursday, vocals on Friday, overdubs Saturday, mix on Sunday. Voila! Job done with expectations not too high, hence minimal stress on the artist and all others concerned. 'We never got further than the guitar really,' laughs the bloke who devised the cunning plan. 'He was a bit out there. You couldn't really communicate with him. He would sort of drift off and leave the studio. None of the songs were finished. Well, they weren't really songs as such, they were more like 12-bar blues on the guitar, which he never really got through. He'd only get to the tenth bar... It was sad really.'
机译:当时看来这似乎是个好主意。一周内录制一张专辑。星期一的吉他,星期二的鼓,星期三的低音,星期四的键盘,星期五的人声,星期六的配音,星期天的混音。瞧!对工作的期望值不太高,因此对艺术家和所有其他相关人员的压力最小。制定狡猾计划的家伙笑着说:“我们从未真正超越过吉他。” ``他有点在那里。你真的不能和他交流。他会漂流离开工作室。所有歌曲均未完成。好吧,它们并不是真正的歌曲,它们更像是吉他上的12小节布鲁斯,他从来没有真正听过。他只会去第十个酒吧……真的很可悲。

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  • 来源
    《Hi-Fi news》 |2017年第8期|86-89|共4页
  • 作者

    Steve Sutherland;

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