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Reel-to-reel recorders

机译:reel-to-reel录音机

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摘要

The last year or so has seen the emergence of a new generation of high-quality open-reel tape decks, of which four are investigated here. As the price span ranges from £500-£600 for the Sony and Revox models to £850 for the Technics and £950 for the basic Pioneer assembly, these units are not strictly comparable, although their relative performances are nonetheless interesting. All four recorders subscribe to the 'professional' format, namely a 26.5cm diameter maximum reel capacity with at least two high speeds (19 and 38cm/sec), and a two-channel half-track format on 6.25mm (Viin) tape. However, strictly speaking they should be called 'semi-professional', as although they are essentially capable of master quality recordings, they do differ from true studio machines in several respects. For example, the input and output connections of professional machines are generally balanced-line with Cannon or similar type sockets. In contrast, the review models are all unbalanced, with phono and DIN-type inputs and outputs, plus lower line levels.
机译:去年左右,已经看到新一代高质量的开阔卷筒卷饼的出现,其中四个在此进行调查。由于价格范围为500英镑的索尼和Revox模型为850英镑的技术和950英镑的基本先锋组件,这些单位并不严格相当,尽管它们的相对表演是有趣的。所有四个录像机都订阅了“专业”格式,即26.5cm直径的最大卷轴容量,至少两个高速(19和38cm / sec),以及6.25mm(viin)磁带上的双通道半轨道格式。然而,严格来说,他们应该被称为“半专业”,虽然它们基本上有能力掌握质量记录,但它们在几个方面都与真正的工作室机器不同。例如,专业机器的输入和输出连接通常是平衡线,与大炮或类似类型的插座。相比之下,审查模型全部不平衡,具有校准器和DIN型输入和输出,以及下线电平。

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  • 来源
    《Hi-Fi News》 |2020年第13期|128-129131133|共4页
  • 作者

    Martin Colloms;

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