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This year's model?

机译:今年的型号?

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摘要

In terms of mass market sales, hi-fi components probably reached their peak during the period in and around the 1970s. It was then that the video recorder began to appear, which soon became the 'must have' consumer product. Enthusiasts in the UK tended to go on buying their hi-fi from the established UK names. More generally, the public bought Japanese imports. The Japanese companies mostly manufactured units in far larger numbers than their Western counterparts in order to achieve economies of scale. They also established the approach of upgrading product ranges on a regular basis, which enabled them to market this year's tuner or amplifier as being superior to the one released the year before. By contrast, UK manufacturers tended to carry on producing what seemed to be the same model for some years in succession. Under the lid, however, these companies often made changes in order to update or improve the performance of a component. This gave them the advantage of being able to use the same tooling, dies, etc, for the product's case, fascia, and so on, while adjusting performance on the basis of experience and customer feedback.
机译:在大众市场销售方面,高保真组成部分可能在20世纪70年代和围绕20世纪70年代期间达到了高峰。然后,视频录像机开始出现,这很快就成为了“必须拥有”消费产品。英国的爱好者倾向于从已建立的英国名称上购买他们的高保真名。更一般地说,公众买了日本进口。日本公司主要制造单位远远超过西方同行,以实现规模经济。他们还规定定期建立了升级产品范围的方法,使他们使他们将今年的调谐器或放大器市场上市,以优于前一年的释放。相比之下,英国制造商倾向于在继承中往往往往继续生产似乎是同一型号。然而,在盖子下,这些公司通常会更改以更新或改善组件的性能。这给了他们能够使用相同的工具,模具等,为产品的案例,筋膜等,在经验和客户反馈的基础上调整性能的优势。

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  • 来源
    《Hi-Fi news》 |2020年第8期|101-101|共1页
  • 作者

    Jim Lesurf;

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