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The Wright lines

机译:莱特线

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摘要

There was a point back in the mid-1970s when the big IMF transmission lines were just about the most dreamed-of loudspeakers in this country. American reader Allen Edelstein's 'Sound Off' letter [HFN May '20] only reminded me once more of the glory that was IMF. Of course, the initials and the brand name were American, as they belonged to the late Irving M ('Bud') Fried. Perhaps few UK enthusiasts were aware of this. Anyway, times changed, and the 1980s saw big, multi-way speakers going out of fashion - IMF all but disappeared. GREAT PIZAZZ Then in 1985 came TDL The name was new, except to industry insiders, but the speakers were IMF reincarnated. Even the literature looked the same, with cutaway drawings to show the wonders inside. This was less surprising once you knew that the man behind TDL was John Wright, who'd designed the classic IMFs. Before that, Wright had created a unipivot arm with mercury-bath contacts, and a record-cleaning machine, both subsequently marketed by Keith Monks.
机译:可以追溯到1970年代中期,当时大型的IMF传输线几乎是这个国家梦dream以求的扬声器。美国读者艾伦·爱德斯坦(Allen Edelstein)的“ Sound Off”信[HFN May '20]再次使我想起了IMF的荣耀。当然,英文缩写和品牌名称是American,因为它们属于已故的Irving M('Bud')Fried。也许很少有英国发烧友意识到这一点。无论如何,时代变了,1980年代,大型,多语种扬声器过时了-IMF几乎消失了。伟大的PIZAZZ随后在1985年出现了TDL。这个名字是新的,除了业内人士外,但这些扬声器都是IMF的转世产品。甚至文学作品也一样,它们的剖面图显示了内部的奇观。一旦您知道TDL背后的人是设计经典IMF的John Wright,这就不足为奇了。在此之前,赖特(Wright)创造了一种带有汞浴触点的万向臂,以及一台唱片清洁机,随后两者均由基思·蒙克斯(Keith Monks)销售。

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    《Hi-Fi news》 |2020年第7期|105-105|共1页
  • 作者

    Steve Harris;

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