By the time he appeared at the first Montreux Jazz Festival, Lloyd's quartet had become the one jazz group that could reach rock audiences in the Summer of Love. They could get exploratory and 'progressive' on 'Sweet Georgia Bright', or become dreamily psychedelic on 'Love Ship'. Alongside Lloyd's always intriguing tenor sax, and his weaker but somehow appropriate flute, you get amazing playing from the youthful Keith Jarrett, eg, in his Tatumesque intra and fabulous solo on 'Love Song For A Baby'. The long-running Swiss Radio Days series has brought us many gems from the broadcaster's vaults, but this 1967 one is really special.
展开▼
机译：劳埃德（Lloyd）的四重奏乐队在第一届蒙特勒爵士音乐节（Montreux Jazz Festival）上露面时，已经成为一个可以在“夏日之恋”（Summer of Love）吸引摇滚观众的爵士乐队。他们可以在“ Sweet Georgia Bright”上获得探索性和“进步”，或者在“ Love Ship”上梦幻般地迷幻。除了劳埃德（Lloyd）总是令人着迷的男高音萨克斯（Sax），还有他那稍弱但某种程度上合适的长笛，您会从年轻的基思·贾瑞特（Keith Jarrett）的演奏中获得惊人的演奏，例如，他在《塔特梅斯克风格》中独树一帜的独奏曲《婴儿之歌》。长期运行的《瑞士电台日》系列为我们带来了广播公司金库中的许多瑰宝，但1967年的那一集确实很特别。
展开▼
