EFFABLE ELOQUENCE: THE CASA DE MUSICA

摘要

Picking the best of anything in a world smugly devoid of received standards or consistent values is more about influence than excellence. Something prized for its sophistication is not only unexpected but also vaguely distrusted: Is the recommendation discerning or gullible? I think this fairly describes the reception of OMA/ Rem Koolhaas and Ellen van Loon's Casa de Musica in Porto.