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I INTRODUCTION: SURVEYING THE SCENE

机译:我引言:现场调查

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摘要

What is landscape? Was there a concept of landscape in ancient nRome? Analysing the cityscape is now an established trend in the nstudy of Rome and, since the 1990s, scholarship has explored the idea nthat thinking about the topography of the city of Rome encourages a nmore wide-ranging exploration of what being Roman was all about.n2n nTaking a broader approach, this Survey tackles the semiotics3n of a nset of described, depicted, and three-dimensional landscapes where nthe emphasis is on a collaboration between nature and humankind.nThe timeframe is the late Roman Republic and early Principate, an nera of change and reconstitution, when defi ning what being Roman nmeant was high on many agendas. This is also an era that offers the nbest possible scope for exploring a fascinating and diverse range of nemblematic natural and manmade environments, taking in some of nthe most famous (but also some more unexpected) scenes in Roman nliterature, art, and architecture, closing with Hadrian’s out-of-town nlandscaped villa near Tibur.
机译:什么是风景?古代nRome中有景观概念吗?分析城市景观现已成为罗马研究的一项既定趋势,自1990年代以来,学术界一直在探索这样一种思想,即对罗马市地势的思考鼓励对罗马的一切进行更广泛的探索。 n本调查采用更广泛的方法,解决了一系列描述,描绘和三维景观的符号学问题,其中重点是自然与人类之间的合作.n时间框架是罗马共和国晚期和原理早期的Principate,是变化的神经在确定什么是罗马恩曼特时,在许多议程上都将重塑和重构作为重中之重。这也是一个时代,为探索迷人而多样的自然和人造环境提供了最大的可能性,吸收了罗马文学,艺术和建筑中最著名的(但也有些出乎意料的)场景,与哈德良(Hadrian)在提伯(Tibur)附近的城外自然景观别墅。

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  • 来源
    《Greece & Rome》 |2009年第1期|p.1-15|共15页
  • 作者

    P. J . RHODES;

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  • 入库时间 2022-08-17 14:00:24

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