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Image matters: Climate change imagery in US, UK and Australian newspapers

机译:图像很重要:美国,英国和澳大利亚报纸上的气候变化图像

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Images act to draw in audiences through vivid and emotive portrayals, and in doing so, they facilitate both cognitive and affective processing. Yet images are not neutral - they can portray highly ideological messages, and act as normative statements portraying a particular way of viewing the world. Whilst climate imagery proliferates, media analysis of climate to date has focused almost exclusively on textual representations. Here, a two-part study was designed to explore climate change imagery in newspapers. First, a content analysis of visual images attached to online articles about climate change during 2010 from 13 US, UK and Australian newspapers, was undertaken. Analysis of the image concourse (n = 1603) shows broad patterns across all newspapers in the visualization of climate change, and sheds light on how multinational media ownership influences climate imagery portrayals. Second, a frame analysis was undertaken, by examining the composition and tone of particularly salient images in their cultural and political contexts. Together, these analyses indicate that two visual frames are prominent, a 'contested' visual frame and a 'distancing' visual frame; with Australian newspapers particularly relying on the 'contested' visual frame. These visual framings support particular interactions with the issue of climate change whilst marginalizing others, actively shaping the cultural politics of climate change in important ways.
机译:图像通过生动而感性的刻画吸引观众,并有助于认知和情感处理。然而,图像并不是中立的,它们可以刻画高度意识形态的信息,并作为刻画特定观察世界方式的规范性陈述。尽管气候图像激增,但迄今为止,媒体对气候的分析几乎完全集中在文字表达上。在这里,一项分为两部分的研究旨在探索报纸上的气候变化图像。首先,对来自13家美国,英国和澳大利亚报纸的有关气候变化在线文章的视觉图像进行了内容分析。对图像大厅的分析(n = 1603)在气候变化的可视化中显示了所有报纸的广泛模式,并阐明了跨国媒体所有权如何影响气候图像刻画。其次,通过检查在文化和政治背景下特别突出的图像的构成和色调进行了框架分析。总之,这些分析表明两个视觉框架是突出的,一个“竞争”视觉框架和一个“远距”视觉框架。澳大利亚报纸尤其依赖“有争议的”视觉框架。这些视觉框架支持与气候变化问题的特定互动,同时将其他人边缘化,以重要方式积极塑造气候变化的文化政治。

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