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From Fortune to Randomness in Seventeenth-Century Literature

机译:从财富到随机的十七世纪文学

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This article proposes the view that during the course of the seventeenth century the concept of fortune in the Boethian mode, dominant in French literature during the Middle Ages, yielded to a new manner of conceiving the fortuitous. This new conception, still sometimes called ‘fortune’ but increasingly known as ‘hasard’, took the form of what we would call randomness. However, both the older and the newer ways of representing the fortuitous require awareness of individual human desire. In this study, Molière's L'École des femmes and two narratives by Marie-Madeleine de Lafayette, Zayde and La Princesse de Clèves, are considered with regard to the way the texts display chance either directly or indirectly. In conclusion, the article proposes the hypothesis that the shift from fortune to randomness in French literature is related to an increasing emphasis on what we call the reader's ‘identification’ with fictive characters.
机译:本文提出这样一种观点,即在十七世纪的过程中,中世纪时期在法国文学中占主导地位的Boethian模式中的财富概念产生了一种新的观念来理解这种偶然性。这种新概念有时仍被称为“财富”,但越来越多地被称为“危险”,采用了我们称之为随机性的形式。但是,代表偶然性的旧方法和新方法都需要意识到个人的愿望。在这项研究中,考虑到文本直接或间接地显示机会的方式,考虑了莫里哀的《女人的女人》和玛丽·马德琳·拉斐特的两个叙述,扎伊德和拉克莉芙·拉夫斯。总之,本文提出了一种假设,即法国文学中从命运到随机的转变与人们越来越重视所谓的虚构人物的“身份”有关。

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  • 来源
    《French Studies》 |2011年第2期|p.156-173|共18页
  • 作者

    John D. Lyons;

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