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Taking it to the streets

机译:上街

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Colorful banners promoting everything from downtown neighborhoods or condominium units to art exhibitions are now commonly part of the architectural and visual environment of cities. The advent of this phenomenon may be traced to the fine arts and a moment in 1962 during a newspaper strike in New York City. Gallery dealer Robert Graham decided to produce outdoor flags and banners to publicize his shows during the strike. The designs attracted so much attention that Graham went on to commission and sell vibrant nylon, felt and canvas banners by Pop artists such as Andy Warhol, Roy Lichtenstein, Jim Dine, Claes Oldenburg and Robert Indiana. They strove to reinvent the art world in the image of the optimistic popular culture of the early 1960s, and the banners were produced in large editions so as to be affordable to the public. From 1963 to 1965, the artists toured in the exhibition Banners U.S.A. 1 & 2, launching a new art form, the "multiple." Recently, this work was shown in The Great American Pop Art Store: Multiples of the Sixties curated by Constance W. Glenn, lending us the opportunity to rediscover these early examples.
机译:彩色横幅广告从市中心地区或公寓单位到艺术品展览的各种内容,现在通常已成为城市建筑和视觉环境的一部分。这种现象的出现可以追溯到1962年纽约市报纸罢工期间的美术和片刻。罢工期间,画廊交易商罗伯特·格雷厄姆(Robert Graham)决定制作户外旗帜和横幅,以宣传他的表演。设计引起了极大的关注,Graham继续委托和销售流行艺术家(如Andy Warhol,Roy Lichtenstein,Jim Dine,Claes Oldenburg和Robert Indiana)的充满活力的尼龙,毛毡和帆布横幅。他们力图以1960年代初期乐观的大众文化的形象重塑艺术界,并制作大版幅的横幅广告,以使公众负担得起。从1963年到1965年,这些艺术家参加了美国横幅广告1和2展览,并推出了一种新的艺术形式“多重”。最近,这幅作品在《伟大的美国流行艺术商店:康斯坦斯·W·格伦(Constance W. Glenn)策展的六十年代之多》中进行了展示,这使我们有机会重新发现这些早期的例子。

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