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Channels as content curators: Multiplatform strategies for documentary film and factual content in British public service broadcasting

机译:作为内容策划人的渠道:英国公共广播中的纪录片和事实内容的多平台策略

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摘要

Today, VOD (video on demand) sites and portals specializing in long-form, high-quality documentary and factual content proliferate online. This article explores the multiplatform strategies of public service broadcasters in the UK in this context. It examines how the BBC and Channel 4 address the masses of user generated content that flood the documentary market and partake in the battle for audiences for documentary films and factual content in a multiplatform context. Both channels seek to reinvent themselves as public service media providers and curators of documentary content online, in order to fulfil public service remits and secure their positions as leading providers of documentary and factual content across platforms in a global multiplatform mediascape. However, by contrasting Channel 4's online 'verticals' with the BBC's themed and branded documentary portals, the article argues that although Channel 4 and BBC pursue similar strategies online they do so for different reasons and to different effect.
机译:如今,专门从事长格式,高质量纪录片和事实内容的VOD(视频点播)网站和门户网站在网上激增。本文探讨了在这种情况下英国公共服务广播公司的多平台策略。它研究了BBC和第4频道如何处理大量用户生成的内容,这些内容淹没了纪录片市场,并在多平台环境中参与了纪录片和实际内容的观众争夺战。这两个渠道都试图重塑自己,成为公共服务媒体提供商和在线纪录片内容的策展人,以实现公共服务的职权范围,并确保他们在全球多平台Mediascape中跨平台的纪录片和事实内容的领先提供商的地位。但是,通过将第4频道的在线“垂直广告”与BBC主题和品牌的纪录片门户进行对比,文章认为,尽管第4频道和BBC在网上采取类似的策略,但它们这样做的原因不同,效果也不同。

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