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The public culture of architecture: biennale fever and teenage angst

机译:建筑的公共文化:双年展和青少年焦虑

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Architecture is having a busy year in 2012 - and so are all of the other professions that deal with the design of the built environment: landscape architecture, urban design and so on. It isn't that billing is up, projects are numerous or commissions common - just the opposite. Yet this year is the year of the Biennale, which means that there is a lot of public attention on architecture - and the architecture world is focused strongly on itself and, in the best cases, how and what it conveys to the outside. Here, architecture is used in the broadest sense and includes landscape architecture and urbanism. Moscow, Hong Kong and Shenzhen, Barcelona, Venice and Rotterdam all held or will hold an architecture biennale this year. Clearly there's a lot to be communicated in architecture, and the wham-bang format of the biennale is a popular - and possibly effective - method. Architecture has been hit hard by the financial crisis that began in 2008 with the sub-prime mortgage crisis, and the profession, ever on the brink of change, seems to be doing more display and introspection in 2012 than ever before. Architecture is like a nervous, pimply, angsty teenager unsure of its role in society.
机译:建筑在2012年是繁忙的一年-涉及建筑环境设计的所有其他专业:景观建筑,城市设计等。并非不是账单增加,项目众多或常见的佣金-相反。然而,今年是双年展的一年,这意味着公众对建筑有很多关注-建筑界非常关注自身,在最好的情况下,它是如何向外界传达什么的。在这里,建筑是最广义的使用,包括景观建筑和城市主义。莫斯科,香港和深圳,巴塞罗那,威尼斯和鹿特丹今年都将举行或将举行建筑双年展。显然,在建筑方面有很多需要交流的地方,双年展的重击形式是一种流行且可能有效的方法。从2008年次贷危机开始的金融危机以来,建筑业受到了沉重打击,而且该行业正处在变革的边缘,在2012年似乎比以往任何时候都进行更多的展示和内省。建筑就像是一个神经质,生气,生气的少年,不确定它在社会中的作用。

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    《Scape》 |2012年第1期|16-17|共2页
  • 作者

    Jessica Bridger;

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