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Storytelling as a medium for balanced dialogue on conservation in Cameroon

机译:讲故事作为喀麦隆关于保护的平衡对话的媒介

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In conservation efforts where genuine community involvement is aimed at, communication should be a two-way affair in which the local voice can be truly heard. In developing countries especially, however, this voice tends to be smothered by the power and prestige that usually lies with the supra-local conservation agencies. This paper explores how fictional storytelling, a communication medium as old as mankind, may enable local people to respond in freedom to the issue of conservation. Stories that end by posing a dilemma to the audience are generally used in Cameroon to initiate discussion. First trials in Cameroon used this format to tell a story of animals that found themselves at risk of extinction and sent out a delegation to the human world to plea for a 'last home'. Although enjoyed by researchers and audience alike, this story appeared to suffer from several technical and structural shortcomings. In order to overcome these, empirical research (for example the gathering of some 600 stories in the field) and theoretical considerations led to the design of a second-generation story that retained the dilemma format but carried fewer implicit messages and introduced a third, adjudicating party. This story was tried out in 13 villages in Central and North Cameroon with full success, both in terms of process (the elicitation of focused and rich debate) and in terms of content (the clarity of arguments and underlying assumptions). If led by the principles developed in this paper, fictional storytelling is a worthy addition to the methodological repertoire of all conservation professionals who wish to communicate conservation to local communities in a manner that is structurally balanced and substantively open.
机译:在以社区真正参与为目标的保护工作中,交流应该是双向的,可以真正听到当地的声音。然而,特别是在发展中国家,这种声音往往被超地方保护机构通常拥有的权力和威信所窒息。本文探讨了虚构的故事讲述(一种与人类一样古老的传播媒介)如何使当地人民能够对保护问题自由地做出反应。喀麦隆通常使用以对观众造成困境为结尾的故事来发起讨论。喀麦隆的首次审判使用这种格式讲述了一个动物的故事,该动物发现自己面临灭绝的危险,并派出了一个代表团前往人类世界呼吁“最后的家园”。尽管这个故事受到研究人员和听众的喜爱,但似乎存在一些技术和结构上的缺陷。为了克服这些问题,通过实证研究(例如,在现场收集了约600个故事)和理论上的考虑,设计出了第二代故事,该故事保留了困境的格式,但隐含的信息较少,并引入了第三条派对。这个故事在喀麦隆中部和北部的13个村庄中得到了成功的尝试,无论是在过程上(引起有针对性的辩论和丰富的辩论),还是在内容上(论点和基本假设的清晰)。如果以本文中提出的原则为指导,那么虚构的故事讲述是所有希望以结构平衡和实质性开放的方式与当地社区进行保护交流的保护专业人员在方法论方面的宝贵补充。

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