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Atmospheres, inside and out

机译:内外大气

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摘要

The theme of atmospheres within philosophy, aesthetics, and critical theory has developed steadily over the last two decades. Inspired in part by the philosophies of Gernot Bohme and Hermann Schmitz, the area of research has become a focal point for studies on the intersection between materiality and affectivity, embodiment and culture, and perception and sense. We are now at a point in this "atmospheric turn" where networks devoted to the topic are appearing alongside a prolific emergence of publications concerned with the manifold dimensions of atmospheres. Yet despite-or because-of its prevalence, the idea of atmosphere remains decidedly elusive. An atmosphere, as philosopher Tonino Griffero, tells us in his systematic study of the concept, is both everywhere and nowhere. Moreover, an atmosphere has a peculiar quality of being that which is often overpoweringly "in the air" (to use a phrase that will return time and again in what Griffero calls atmospherology) whilst at the same time resisting rigid analysis.
机译:在过去的二十年中,哲学,美学和批判理论中的气氛主题稳步发展。受到格诺特·博姆(Gernot Bohme)和赫尔曼·施密茨(Hermann Schmitz)的哲学的启发,研究领域已成为研究物质性与情感性,体现性与文化,知觉与感觉之间的交集的焦点。现在,我们正处于这种“大气转折”的时刻,致力于该主题的网络正在出现,同时出现了与大气的多方面有关的出版物。然而,尽管流行(或因为流行),气氛的概念仍然难以捉摸。正如哲学家托尼诺·格里费罗(Tonino Griffero)在他对概念的系统研究中所告诉的那样,一种气氛无处不在。此外,大气具有一种特殊的品质,即通常在空中“压倒性”(使用在格里费罗所说的大气学中会反复返回的短语),同时又抵抗严格的分析。

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  • 来源
    《Environment and planning》 |2016年第4期|763-773|共11页
  • 作者

    Dylan Trigg;

  • 作者单位

    University College Dublin, Ireland and University of Memphis, USA;

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  • 正文语种 eng
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