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THE LONG OVERDUE REDISCOVERY OF CRITIC IAN NAIRN

机译:批评家伊恩·奈恩的长期逾期再发现

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There Once Was a breed of broadcaster who gave flesh to the 'Great British Grump'. Jeremy Paxman comes close; so occasionally does Andrew Neil. But my generation had the likes of Sir Robin Day, James Cameron (the peerless foreign correspondent, not the director) and the recently departed Ray Gosling. Such men made vital, engrossing television. Mention of Gosling forces me to add another name to the roll of honour: the architectural critic Ian Nairn. Like Gosling but less prodigious on the telly, Nairn was essential viewing and reading at home when I was growing up. For my father - a man who subscribed to the pre-paperback notion that you bought a book only if you intended to read it more than once - Nairn's output was the gold standard. Equally, his Sunday newspaper columns were devoured and briskly recommended to all in earshot.
机译:曾经有一个广播公司,它为“大不列颠脾气暴躁”提供了肉体。杰里米·帕克斯曼(Jeremy Paxman)接近了。偶尔安德鲁·尼尔也会这样做。但是我们这一代人有罗宾·戴爵士(Robin Day),詹姆斯·卡梅隆(James Cameron)(无与伦比的外国记者,而不是导演)和刚离开的雷·高斯林(Ray Gosling)之类的人。这些人制作了至关重要的电视节目。提到高斯林,迫使我在荣誉榜上再加上一个名字:建筑评论家伊恩·奈恩(Ian Nairn)。像高斯林(Gosling)一样,但在电视上的表现却不那么出色,当我长大时,奈恩(Nairn)是在家中必不可少的观看和阅读工具。对于我的父亲-一个赞同平装前观念的人,即只有当您打算多次阅读时,您才购买一本书-奈恩的产出是黄金标准。同样,他的周日报纸专栏被吃光了,并向所有人推荐。

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