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Johnny Ramone

机译:约翰尼·拉蒙(Johnny Ramone)

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摘要

By the middle of the 1970s, popular music had changed. The punchy bub-blegum sound of the 1960s was gone. Instead the scene was dominated by musicians who wanted to elevate rock to the status of high art, with concept albums, rock operas and overblown guitar solos. A typical track from the Sixties might be four minutes long; by the mid-1970s, ten minutes or more was not unusual. Many fans despaired, feeling that rock had become bloated, pompous and pretentious. The counterblast began on August 16th 1974, in front of a tiny crowd in a seedy New York bar called CBGB. Four young men-Johnny, Joey, Dee Dee and Tommy Ramone-walked on stage. The concert they gave was shambolic; they spent as much time shouting at each other as playing. But they improved rapidly, and it soon became clear they had hit on something.
机译:到1970年代中期,流行音乐发生了变化。 1960年代刺耳的震颤声消失了。取而代之的是,音乐人主导了这一领域,他们希望通过概念专辑,摇滚歌剧和夸张的吉他独奏将摇滚提升到高级艺术地位。六十年代的典型曲目可能长达四分钟。到1970年代中期,十分钟或更长的时间已经很普遍。许多球迷感到绝望,感到岩石变得肿,浮夸和自命不凡。这场反击始于1974年8月16日,当时在纽约CBD一家肮脏的酒吧里,一小群人面前。四个年轻人-约翰尼(Johnny),乔伊(Joey),迪伊(Dee Dee)和汤米·拉蒙(Tommy Ramone)在舞台上行走。他们举办的音乐会简直是残酷的。他们花了很多时间互相喊叫和玩耍。但是他们迅速改善了,很快就发现他们遇到了什么。

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  • 来源
    《The economist》 |2004年第8394期|p.120|共1页
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  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 经济;各科经济学;
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  • 入库时间 2022-08-17 23:32:55

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