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Tidal fear

机译:潮汐恐惧

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摘要

Stoking terror has been a staple of thrillers ever since Erskine Childers wrote "The Riddle of the Sands" more than 100 years ago. Foreign invasions? Deadly microbes? Nuclear explosions? Each decade boasts its emblematic page-turners. These may be works of fiction, but for the most part they are inspired by the real-world terrors of their own particular time.rnIn that sense, this summer's offerings are no different. Instead of the rogue Russian submarines of the cold-war years, several thrillers due to be published over the next few weeks feature a frightening level of day-to-day surveillance, a squeeze on civil liberties and inexorable government creep. A cut above these, and quite different, is "Ultimatum" by Matthew Glass. The publisher is already describing Mr Glass as the heir to Tom Clancy (for "The Hunt for Red October") and to Michael Crichton (for "State of Fear", his diatribe about global warming). "Ultimatum" is better than either of these. The first politico-diplomatic-disaster thriller, Mr Glass's engrossing work leaves the reader thinking long after the last page is turned.
机译:自从100多年前Erskine Childers撰写《沙之谜》以来,刺激恐怖就一直是令人恐惧的主角。外国入侵?致命的微生物?核爆炸?每十年都有其标志性的翻页者。这些也许是虚构的作品,但在大多数情况下,它们是受其特定时间的现实恐怖启发的。从这个意义上讲,今年夏天的产品没有什么不同。在接下来的几周内,将要发布的几部惊悚片取代了冷战时期无赖的俄罗斯潜艇,而其日常监控水平却令人恐惧,对公民自由的挤压和政府的无情蠕动。马修·格拉斯(Matthew Glass)所创作的《最后通“》(Ultimatum)是这些之上的又一个截然不同的地方。出版商已经将格拉斯先生描述为汤姆·克兰西(Tom Clancy)(代表《红色十月的狩猎》)和迈克尔·克里顿(Michael Crichton)(代表《恐惧状态》(他对全球变暖的狂想)的继承人)的继承人。 “最后通“”比这两个都好。格拉斯先生的第一部政治,外交和灾难惊悚片,令人着迷,使读者在翻上最后一页之后很久就开始思考。

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    《The economist》 |2009年第8634期|85-85|共1页
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